Sunday, December 14, 2014

Hanging Christmas lights with Dad



My dad would have us dig out the family Christmas decorations two weeks before Christmas arrived.

Dad wasn’t the type to rush in to the Christmas spirit, particularly when it came to putting up holiday decorations. I can remember one Christmas in the early 1970s, when he put off buying a Christmas tree, the natural kind, until just a few days before Christmas.

Dad would lose his mind at the way today’s retailers hawk Christmas merchandise in October and some homeowners display outdoor Christmas decorations in November.

Dad seemed to take pride in pulling his children out to the mid-December chill to hang Christmas lights we could have put up in late November, when temperatures were still above freezing. Perhaps he believed cold air, snow and biting winds developed character in young people.

I can recall working with each of my seven siblings — five brothers and two sisters — in hanging the decorations over the years, and I have distinct memories about the projects we conducted from the early 1970s through the 1990s.

We frequently put the lights up on the Sunday that arrived two weeks before Christmas, but sometimes they went up on a weeknight, just a few days before the holiday. We always puts the outdoor lights up after dark. We told ourselves this allowed us to get the full effect of the lights glowing in the darkness, but really it was because we dreaded going outside to work and always found something else to do earlier in the day.

Even Dad seemed to procrastinate and would put off tackling the task until Mom reached the limits of her patience. At that point, her frequent requests for the lights to be put in place became a demand for the job to be completed without further delay. That’s when Dad would find the determination to push aside all the distractions and commence work on hanging the lights.

Dad never replaced anything simply because a newer model or version was available. With eight children to feed and cloth he never had much in the way of disposable income. Most items in our house were replaced only after they reached the end of their useful lives. This meant most of our belongings, including our Christmas decorations were several years older than me by the time I was added to the work detail at age 8.

Our outdoor lights were an assortment of strings of lights we collected over the years. Some consisted of multi-colored light bulbs as big as a man’s thumb and were mounted to heavy-gauge electrician’s wire, some of it more than half an inch thick. I think some of these dated to the 1950s. Other strings were a bit more contemporary but often contained only small, clear lights. 

The front door of our house was located in the center of the front wall. We displayed the lights on evergreen shrubs planted to the left and right of the front door.

We usually employed a loopy, layering of lights upon the tops of the bushes, sort of a sophisticated, but casual look. It wasn’t original, but it did the trick. Dad was a hands-on supervisor, but spare with his directions. His comments during these projects usually were limited to “cut the crap” and “you’re doing it wrong, dumb ass.”

The entire process, from pulling boxes crammed full of lights from the attic to making  final adjustments to the display, took a few hours, depending on how tightly we had balled the strings of light before shoving them into boxes the previous January and tossing those into the attic. Every project would include the kind of the humor, frustration, teamwork and insults commonly aired during moments of shared misery. Dad always contributed his special brand of refined cursing.

Dad’s style was to make sure we did not complete more than one decorating chore at a time. If we spent a few hours putting up outdoor lights, that was enough. The interior decorations could wait for another day. I figured out later, when decorating my own house for the holidays, that Dad limited the number of hours we spent working together to keep us from harming each other. He was a smart man.

Dad passed away in February 1995, creating a void in my life that will never be filled. I think of him often throughout the year, but particularly when my wife starts decorating the house for Christmas. He gave his children so many gifts at Christmas over the years and created many priceless memories.

My favorite memory from our decorating projects dates from 1978. My younger brothers, Patrick and Michael, my sister, Kate, and I were standing with Dad in the mid-December darkness on the sidewalk in front of our house, admiring our work on a nearly completed display. “Hell, that looks better than it did last year,” Dad said. “Let’s call it done for this year and go back inside. It’s cold.”


—Kevin Botterman can be reached at kbotterman@gmail.com. Follow Fireside Notes on Twitter.

Sunday, November 23, 2014

Politcs, elections and Hollywood's conspiracy films

Dustin Hoffman and Robert Redford in "All the President's Men".

The post-election process of analysis, commentary and spin started me thinking about Hollywood's films about politics, elections and the dark side of these activities that fuel conspiracy fears and theories. The elements usually combine to make for fine entertainment. 

Here’s an alphabetical list of my some of my favorite conspiracy films. Click on a film title to learn more about that movie. I also have included links to video clips when I could find excerpts worth sharing. I hope you enjoy my selections.

All the President’s Men —  (1976) Director Alan J. Pakula's movie about reporters Bob Woodward and Carl Bernstein and their efforts to cover the Watergate scandal is the only film on this list to be based on true events. Pakula manages to deliver an entertaining and suspenseful yarn even though we know the story’s outcome. Robert Redford, Dustin Hoffman, Jason Robards, Jack Warden and Martin Balsam star.

The China Syndrome — (1979) Jane Fonda stars as a feature reporter for a local TV station who witnesses an accident at a nuclear power plant and discovers a conspiracy to cover up the incident. James Bridges directs, and the cast includes Jack Lemon, Michael Douglas and Wilford Brimley.

Conspiracy Theory — (1997) Mel Gibson stars as man who sees government conspiracies everywhere and then finds a real one. Julia Roberts and Patrick Stewart are along for the ride, but it’s Mel’s movie. It’s not a great one, but director Richard Donner knows how to entertain an audience.

L.A. Confidential — (1997) Russell Crowe, Kevin Spacey and Guy Pearce head up director Curtis Hanson’s robust story about three LA police officers in the 1950s who stumble upon a crime network within the department. The cast includes Kim Basinger,  James Cromwell, Danny DeVito and David Strathairn.

Marathon Man — (1976) Dustin Hoffman stars as a graduate student who gets pulled in to a conspiracy involving a fugitive Nazi war criminal, a fortune in diamonds and some shady government agents. John Schlesinger directs this nifty story, and Laurence Oliver and William Devane deliver as the bad guys.

The Manchurian Candidate — Frank Sinatra stars as a Korean War soldier who suspects something sinister happened while he and other members of his squad were prisoners of the Chinese and that the soldier credited with saving them all is not what he appears to be to everyone at home. Sinatra is the star, but Angela Lansbury owns this movie.


The Parallax View — (1974) Warren Beatty stars in director Alan J. Pakula’s tale about an ambitious reporter who learns things aren’t always what they appear to be while investigating a senator’s assassination. Paula Prentiss, Hume Cronyn and William Daniels also star.

RoboCop —  (1987) Director Paul Verhoeven weaves a violent tale about a terminally wounded police officer who is reconstructed as part man, part machine and sent back to the streets of Detroit to fight crime. The story is a hybrid of entertaining action, science fiction, dark humor and corporate conspiracy. Peter Weller and Nancy Allen star, but Ronny Cox, Kurtwood Smith and Miguel Ferrer deliver great supporting performances.

Three Days of the Condor —  (1975) Robert Redford stars as Joseph Turner, code named Condor, the lone survivor of an attack on an obscure little division within the Central Intelligence Agency tasked with reading books. Turner has three days to learn who killed his coworkers and why. Faye Dunaway, Cliff Robertson, John Houseman and Max von Sydow also star.

Witness — (1985) When an Amish boy witnesses a murder tied to police corruption, the detective leading the murder investigation must flee to the boy’s family farm to evade corrupt cops. Harrison Ford stars as the honest cop in director’s Peter Weir’s story that is as much about bridging cultural differences as it is about a criminal conspiracy. The cast includes Danny Glover Josef Sommer, Alexander Godunov and Viggo Mortensen.



Monday, July 28, 2014

Remembering the anti-heroes at the 'Animal House'


A friend reminded me this morning that today marks the 36th anniversary of the release of “Animal House”, director John Landis’ raucous tale about college life in the early 1960s and the men of the Delta House fraternity at the fictional Faber College. 

The movie was released a few weeks before I started my senior year at Arlington High School. I immediately connected with the fun-loving, anti-authoritarian men of Delta House, and so did audiences across the nation. “Animal House” became an instant classic. 

The film’s script, penned by Harold Ramis, Doug Kenney, and Chris Miller, includes dozens of memorable lines, many of which I can still recite today. While the film’s content is tame compared to recent movies about college life, longtime fans of “Animal House” know it set a high standard for outrageous over-indulgence. 

However, it is the film’s anti-authority spirit that resonates with me today, more than three decades after I first watched John Belushi scream “no prisoners”. Of course, Belushi’s “Bluto Blutarsky” remains the most recognized character from the movie, but I think the supporting characters, the other men of Delta, reinforce the film’s rebellious nature and contribute to the film’s lasting popularity. 

Those characters include D-Day (Bruce McGill), Boone (Peter Riegert), Larry Kroger (Tom Hulce), Kent Dorfman (Stephen Furst), and Hoover (James Widdoes). The men of Delta House turned the status quo at Faber College upside down, destroyed a homecoming parade and knocked Faber’s elites from their pedestals.  

The “anti-hero” heroes accomplished quite a lot, and that’s worth remembering, I think.

— Send emails to kbotterman@gmail.com.